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Processing Paris
Recode project




Mémoire, Ville, Estampe
Paris
2013-2014



River, Forest
and Korrigans
Le Pouldu 2015-2016

Rimbaud Voyelles
Casablanca, Nice 2016-2017




 
The River, the Forest, and the Korrigans, the shadow of Gauguin in the mirror of the Breton landscapes of Bernard Demiaux
 
1978-2013, algorithms of years 1970 revisited
 
Paris in its Districts, a contemporary and amazing vision of Paris.
Landscapes composed from grasses, branches, barks or clouds in the Normandy and Californian woodlands.
 
Magical numbers give birth to Power flowers, Flowers designed by digital algorythms, a new kind of man-made nature, imaginary flowers which recall the flower power movement from the 70s.
 
Like Gauguin before him, the artist roams the lanes around Le Pouldu discovering the fields, inlets and waves of the Quimperlé area.
 
3 D images to generate a mythological fauna, shapes appearing instantaneously from the core of the computer: colorful sea shells, secret Bouddhas, icons, infinity symbols, rainbow snakes, a magical pantheon.
 
Oh ! Les Mains, landscapes and shells in the hands of one small child...
 
Digital shadows of people, atmospheres, places, cities encountered and discovered...
 
Water Splashes which endlessly echo the movements of the pebbles I used to throw on the beach facing the Opera House as a child in Nice.
 
The computer invents its own art. Programmed according to strict rules governing their position, attraction or repulsion, Stardust memories are the imprints left by the binary motives, which forward, swing, bend and move across the screen, leaving behind a tinted trail.
 
From the Objects Plus defined with Pierre Restany in 1989, Bernard Demiaux made binarisations from Duchamp, Wahrol, Koons, Mendini ...
 
Bernard Demiaux